Re*Move

Jaguar's 75th Birthday bash

 

Jaguar officially celebrated its 75th Birthday on Friday. And to mark the event, a convoy of 75 Jaguars, featuring every model the firm has made since 1935, left Millenium square in Coventry on Friday morning for Wellington Barracks, opposite the Queen's modest pile somewhere in London, SW1. Having celebrated the anniversary of Sir William Lyons' unveiling of the very first Jaguar model - the SS, in the same room of the Mayfair hotel on Friday night, on Saturday morning the cavalcade resumed its journey, heading to Goodwood and the weekend's Revival festival.

What really made this event special were the owners and the untold, unseen stories behind the cars here. The cars on this run weren't just from Jag's own special heritage fleet, or examples that are molly-coddled within an inch of their lives and never used. Owners had brought examples of just about every single model the company's ever made to Coventry - and had then gone through what must have been, frankly, the unnerving process of being paired with a journalist for the trip, who they'd never met and who they then let drive their pride and joy. I travelled with Matthew Nice in his pristine 1967 3.8 S-type, who's story was quite unique. When he was young, Matthew lived with his mum and his grandad, who had bought this very car when it was just a few months old. His grandad ran it until he died, and although Matthew at the time was just 15, his mum realised the attachment and sentimental value the car held, so tucked it away in a barn rather than selling it as part of his grandad's estate. Roll forward to 1997, and Matthew began what turned into a 9-year project to bring the car up to the fully restored, concours condition you see today. The car had never been back to Coventry, nor visited London, and I was only the 8th person to ever drive it. The experience was as magical as one might expect. Driving a car without modern brakes, that doesn't have wing mirrors and that foregoes a radiator fan can prove an occasional challenge in modern traffic, but we made it to Goodwood unscathed, despite the best efforts of London's kamikaze bus drivers and traffic in Knightsbridge on a friday afternoon.

Jaguar has had a troubled existence over much of the past 30-40 years. I've always held Ford somewhat responsible for failing to develop the brand's real potential over the past 15 years or so - but talking to many (much more knowledgable) folk on this trip, changed my view somewhat. The real dispise is reserved for British Leyland; the consensus view being that Ford spent the best part of 20 years with its hands full simply trying to put right the damage done in the 70s. Today, with a fresh and competitive product line-up and under the new ownership of Tata, there is much hope and much expectation about where the brand can go. There are issues of course. Jaguar's 'beautiful fast cars' mantra perhaps sits uncomfortably in an age of apparent financial austerity and environmental imperatives, while despite the improved products, the brand still appeals to a more mature, overtly male market than is ideal. Yet the sense of occasion, together with the exceptionally well executed planning - not to mention investment - that went into this event suggests that the people now running the company have an understanding of how to take the brand forward for the next 75 years. It won't be easy - and much will depend on the investment and autonomy provided by its Indian parents - but I sincerely hope that my children will get to see this brand celebrating its 150th year come 2085.

Favourite photos from the weekend below, while at the bottom of the page click on a link to a photoset of the weekend.

E-type and XK140 await departure from Coventry's Millenium square on Jaguar's 75th Anniversary

MRT 511E - Matthew Nice's 1967 Jaguar S-type, and my steed for the weekend.

You don't see many E-types with paintwork like this... and no, before some wag asks, it's not a matte black wrap!

E-type and MKII follow S-type through the Cotswolds

Matthew Nice at the wheel of his 1967 S-type

Autumnal leaf fall dances across the hood of red E-type outside Berkshire's Vineyard restaurant and hotel

A mirror full of E-types...

Harrods, reflected in a (real) wallnut dash.

Click on the link above to see the full set on flickr.

Joseph Simpson is associate editor of Car Design News and a consultant at Car Design Research

 

New Jaguar XJ - The Designer Overview (with video)

The cat's eye - new XJ features slim, elongated headlights reminiscent of the C-XF

Pity Jaguar. More specifically, pity Jaguar’s design team. Working for one of the most evocative, well-loved car brands in the world, with a rich history of producing sporting, luxury – but most of all beautiful – cars, might seem like a dream job. Yet when every man and his dog has an opinion on what a Jaguar is, and should be, it’s a tricky task. But after the years of retro style mis-adventures (the X-Type and S-Type), Jaguar is returning to form. But while most commentators seem settled on the view that modern Jags are the equal of the German triumvirate for ride, handling, performance and quality; styling and design are somewhat thornier issues.

The last XJ - the best car in its class in many areas - was still more Bexhill Pavilion than White Cube in the style stakes. It was a shame, because this mis-matched terribly with the car underneath – one that was constructed largely out of aluminium, and out-rode, out-handled, and out-MPG’d most of the German opposition. Come the XF, Jag went modern, but then whispers about it being Lexus-like and even not Jaguar enough reared their ugly heads. The company can’t seem to win.

The XJ is the final chapter in repositioning the company in terms of design, completing a job that started with the XK, and continued with the XF. It’s also the most daring, and the most shocking piece of design of the three. No one’s been criticising Jaguar for overt-retro style references this time around. Mark came away from the Saatchi gallery launch in the summer highly impressed. And last week, I got an exclusive two hours with the car and its lead exterior and interior designers, Adam Hatton and Mark Phillips - see the two videos below the photo. 

The XJ, with interior design manager Mark Phillips (left) and exterior design manager Adam Hatton (right)

Watch Adam Hatton talk through the exterior design of the Jag XJ in the video below

Watch Mark Phillips talk through the interior deisgn of the Jag XJ in the video below

The car they – and the rest of Jaguar’s team – have conceived, is now altogether more befitting of the car’s high-tech, light-weight aluminium structure than its predecessor. It looks and feels modern – yet slightly quirky - in a way that sits well with Jaguar’s aspirations to be a dynamic, modern, but still quintessentially British sporting luxury brand.

The video interviews reveal a more in-depth, detailed overview of the design, as told by the designers.  Watch and see whether you think they've succeeded - we'd be interested to hear your comments. I'm not going to pass judgement on the design until I've seen the cars on the road and driven one. Only then will I be able to make up my mind on this car’s two most contentious elements – that blacked-out pillar, and the fully virtual TFT instrument display. Many will have already made up their minds on these aspects based on the pictures – in which there’s a heaviness around the rear three quarters, and over the wheel arches, that feels a tad un-Jaguar-like. Equally, many will dismiss the virtual screen, saying it’ll never match the classiness of a well detailed set of ‘real’ dials. Those doubters may be proved right. 

How my EOS 400D sees the XJ's virtual instrument panel

Yet in the flesh, there’s a presence to the XJ that sucks you in. No, that rear-pillar doesn’t truly work when the car's static, but this car grows on you, and keeps you attention by asking you questions. For all the Citroen C6 / Maserati Quattroporte references made post its summer launch, the cars that the XJ reminded me of most, after a few hours in its presence, were the Audi A5 and A7 Sportbacks. Maybe that sounds like damning with faint praise, but it’s meant more in relation to a sense of modernity - than style or surfacing - and as a compliment.

It’s a different, modern piece of work the XJ, and undoubtedly brave in a class that is probably the most conservative of all automotive segments. Yet in many ways it makes sense. It’s less clear than ever who the luxury car customer actually is. The sector has been shrinking faster than most, and is under great pressure for image and environmental reasons.

Rather than simply aping the S-class/A8 model, Jaguar’s done something different – and positioned this car slightly apart from that market, doing something that fits both with the brand, and the high-tech, green construction method. Whether this will prove to be a smart move, only time will tell. But that Jaguar has the confidence to do this at all, tells you all you need to know about the spring-in-the-step of this grand old marque as it prepares to celebrate its 75 birthday.

Published by Joseph Simpson on 2nd February 2010

There's a New Daddy in the Luxury Motor Market

The new Jaguar XJ, Saatchi gallery, Chelsea, London - July 10th 2009

Sticking with our Callum brothers theme today, Jaguar chose Chelsea in central London as the place to launch its new XJ last week. This big cat is what Jaguar's design boss Ian Callum calls a return to the values of Jaguar during the William Lyons era - to "produce the most exciting cars in the world". Callum, impressive and passionate, described the launch of this new car as a "tipping point for the Jaguar brand - one Britain should be proud of".

Tipping points are tricky to pinpoint and if I was asked what was tipping right now, I'd say it was luxury car sales - off a cliff. But Jaguar is buoyant and claims modest recent sales growth, while other makers universally tanked. 

But while the wealthy car buyer is feeling rather less flush, he or she now has something entirely new to angst about. Despite looking from assorted angles like a Maserati Quattroporte, an XF, a Lexus SC (ouch), a Citroen C6, Granada Scorpio, Hillman Avenger and a Morris Marina Coupe, the Jaguar XJ is a quite lovely thing. In a great BBC TV moment this April, writer Michael Smith's documentary "Me and My Car"  featured a scene where Smith sank into the passenger seat of a vintage Jag saloon and said "I'd like to get pissed in this car". Clearly Callum was listening. "People are gonna have a good time in a Jaguar" is his boast. I'd get pissed in the back of this car any day of the week.

The car's got some neat, really focused technology, too - without getting silly. As the great Jean Jennings said to us recently, "If it doesn't make me drive better, make it go away." All of the dash instruments on the XJ (the bit in front of the driver with the speedo, etc) are a screen, with the dials all digitally rendered. In demos it looked fantastic and it's a flexible place where info like where to turn left and what music is playing appears. It's also the place where prompts appear for the voice command features. This is infinitely preferable to putting that stuff in the centre console, as Joe and I had to endure recently in the nervous-breakdown-inducing Ford Sync system.

There's other cool stuff, too. A huge 'dual angle' video screen in the centre dash which can display two different images at the same time, with each appearing clearly to driver and passenger. Which is, well, just so much fun.

The body is aluminium, so is as light as its smaller, steel sister, the XF. The 3.0 V6 diesel is claimed to do more than 40 miles per gallon, gets to 60 mph in 6 seconds and emits 184 grams of CO2. Which is pretty impressive.

Jag has also focused on making the hi-fi sound really good. While recognising you will probably bring your iPod along. But it has a hard disc that rips CDs uncompressed and has a Gracenote database.

But back to those looks, which have thrown the cat amongst the pigeons. Although Jaguar has been saying for months that the new XJ was radical, no one was totally prepared for this long, fast-back look, complete with blacked-out D pillar and a rear end that marks a complete departure for Jaguar design.

Never before has an aspect of a Jaguar's design caused so much kerfuffle...

There's an old adage which says never judge a car's design purely from photos; wait until you've seen it in the flesh, and even then - make sure you see it moving, on the road, and in traffic before you make a true call on the design. This is truly a design to which this applies. I sat at the launch breakfast on Friday morning riveted to the thing rotating in front of me, trying to decide whether it was beautiful. I've concluded that the XJ is quite a looker - with much less of the heavy, lumpiness around the rear three quarters than seems in the photos and with a rear haunch that does, as Callum claims, make it very coupe-like. 

If you, too, fancy staring open mouthed at the thing revolving, you can watch this video I took. And below is a (car-nerd-level) outline by design director Ian Callum talking us through the design.

And if you still haven't made your mind up about whether that rump works or not, check out some of our detailed shots in this photoset (click anywhere on the photos to link through to the original flickr set):

Mark Charmer is a founder of The Movement Design Bureau, a think tank.