Re*Move

Moonlighting on Downsideupdesign... Geneva auto show Podcast #1

Still not had your fill of this year's Geneva auto show? Well then why not head over to Drew Smith's downsideupdesign blog, where you'll find me guesting on their first podcast, in which Drew and myself disect the design and strategy behind Geneva's most important production debuts (and at times, that disection perhaps comes closer to vivisection...don't say we didn't warn you!)

Click on the screen grab below to head through to downsideup's site, or here to go direct to the video on blip.tv

With thanks to Drew for conducting the podcast, and putting in all the edit time...Check back soon if you'd like to see us rake over some hot coals in the form of Geneva's concept cars.

Posted by Joseph Simpson on 11th March 2010

New Jaguar XJ - The Designer Overview (with video)

The cat's eye - new XJ features slim, elongated headlights reminiscent of the C-XF

Pity Jaguar. More specifically, pity Jaguar’s design team. Working for one of the most evocative, well-loved car brands in the world, with a rich history of producing sporting, luxury – but most of all beautiful – cars, might seem like a dream job. Yet when every man and his dog has an opinion on what a Jaguar is, and should be, it’s a tricky task. But after the years of retro style mis-adventures (the X-Type and S-Type), Jaguar is returning to form. But while most commentators seem settled on the view that modern Jags are the equal of the German triumvirate for ride, handling, performance and quality; styling and design are somewhat thornier issues.

The last XJ - the best car in its class in many areas - was still more Bexhill Pavilion than White Cube in the style stakes. It was a shame, because this mis-matched terribly with the car underneath – one that was constructed largely out of aluminium, and out-rode, out-handled, and out-MPG’d most of the German opposition. Come the XF, Jag went modern, but then whispers about it being Lexus-like and even not Jaguar enough reared their ugly heads. The company can’t seem to win.

The XJ is the final chapter in repositioning the company in terms of design, completing a job that started with the XK, and continued with the XF. It’s also the most daring, and the most shocking piece of design of the three. No one’s been criticising Jaguar for overt-retro style references this time around. Mark came away from the Saatchi gallery launch in the summer highly impressed. And last week, I got an exclusive two hours with the car and its lead exterior and interior designers, Adam Hatton and Mark Phillips - see the two videos below the photo. 

The XJ, with interior design manager Mark Phillips (left) and exterior design manager Adam Hatton (right)

Watch Adam Hatton talk through the exterior design of the Jag XJ in the video below

Watch Mark Phillips talk through the interior deisgn of the Jag XJ in the video below

The car they – and the rest of Jaguar’s team – have conceived, is now altogether more befitting of the car’s high-tech, light-weight aluminium structure than its predecessor. It looks and feels modern – yet slightly quirky - in a way that sits well with Jaguar’s aspirations to be a dynamic, modern, but still quintessentially British sporting luxury brand.

The video interviews reveal a more in-depth, detailed overview of the design, as told by the designers.  Watch and see whether you think they've succeeded - we'd be interested to hear your comments. I'm not going to pass judgement on the design until I've seen the cars on the road and driven one. Only then will I be able to make up my mind on this car’s two most contentious elements – that blacked-out pillar, and the fully virtual TFT instrument display. Many will have already made up their minds on these aspects based on the pictures – in which there’s a heaviness around the rear three quarters, and over the wheel arches, that feels a tad un-Jaguar-like. Equally, many will dismiss the virtual screen, saying it’ll never match the classiness of a well detailed set of ‘real’ dials. Those doubters may be proved right. 

How my EOS 400D sees the XJ's virtual instrument panel

Yet in the flesh, there’s a presence to the XJ that sucks you in. No, that rear-pillar doesn’t truly work when the car's static, but this car grows on you, and keeps you attention by asking you questions. For all the Citroen C6 / Maserati Quattroporte references made post its summer launch, the cars that the XJ reminded me of most, after a few hours in its presence, were the Audi A5 and A7 Sportbacks. Maybe that sounds like damning with faint praise, but it’s meant more in relation to a sense of modernity - than style or surfacing - and as a compliment.

It’s a different, modern piece of work the XJ, and undoubtedly brave in a class that is probably the most conservative of all automotive segments. Yet in many ways it makes sense. It’s less clear than ever who the luxury car customer actually is. The sector has been shrinking faster than most, and is under great pressure for image and environmental reasons.

Rather than simply aping the S-class/A8 model, Jaguar’s done something different – and positioned this car slightly apart from that market, doing something that fits both with the brand, and the high-tech, green construction method. Whether this will prove to be a smart move, only time will tell. But that Jaguar has the confidence to do this at all, tells you all you need to know about the spring-in-the-step of this grand old marque as it prepares to celebrate its 75 birthday.

Published by Joseph Simpson on 2nd February 2010

Five Trends for the Tens

There are some really important changes going on that will shape the process of designing cities, and how we move and interact in them, over the next decade. Here's Mark's shortlist:

1. Huge cuts and a focus on the essential

Everyone - from entrepreneurs to public administrators, needs to adapt to a world where innovation "culture" is no longer focused around the bleeding edge, the piece of the economy that is the "growth" market. Instead, the most important innovation will focus on achieving dramatic cost savings or improvements in the usefulness of essential services - stuff that absolutely has to happen, rather than 'nice to haves'. In other words, the target market will be the "decline" market. Don't be scared. This is surprisingly good news, because we'll focus on solving big problems, instead of peripheral ones.

2. The gulf between skills and jobs

While today's corporates and governments meet at "Cloud Computing" conferences to debate how to put their boring, dated processes online in new ways, a new generation of digitally-empowered workers is approaching over the hill. These people need jobs, and already have, on their own laptops, far more flexible, powerful, communicative tools than almost anything that exists in the firms they're applying to work for. The result is going to be a crisis - new skills and new tools that many firms will resist adopting until it's too late. Young people will be hired into environments, start using 'enterprise' systems, and conclude that everything is lame. Successful firms (and governments) will attract the talent, harness these people and embrace the constantly evolving set of tools these people bring for themselves.

3. Big office space becomes obsolete

We all need somewhere to work - but what most organisations don't need is large buildings with big reception areas and "working" floors packed with desks and computer workstations. Yet today, the office is the definition of modern business and modern cities. This is about to change. Expect great confusion as developers and property owners resist the change (and the resulting fall in building values), while others see the opportunity to create larger, more flexible living and working spaces, possibly made available in completely new ways. You'll also see networks of people who came together digitally move into physical environments for the first time, in a big way. This will be exciting. Remember, New York lofts used to be warehouses and factories. Throughout history, new communication networks, from ships to railways to cars, have always led to the creation of new physical communities built because of them.

4. Consumerism in crisis

This one deserves two paragraphs. A couple of questions will dominate debate over the next few years. Will we expand or reduce the gap between rich and poor? Is a society whose wealth is measured based on the production and consumption of things, or the manipulation of their on-paper value, actually sustainable (economically, not just in terms of resources).

The dramatically changing ability of people to share what they do and think has the potential to reshape the way we decide what to buy, and how we articulate the experience of using those things. We're not saying you won't buy stuff - it just won't be the same hierarchy as it's been for decades. As the ripples from the financial crisis continue, fundamental questions about what wealth is, what it means, and how it should be demonstrated, will make for an interesting era. Notions of ownership have been in flux ever since most people stopped buying music, as an object to own. In an era when an iPhone is now a more useful, cheaper, social vehicle than a Ford Fiesta for many (especially young) people, an "Apps" culture means we are likely to buy lots more virtual stuff, rooted in software, where the emphasis is on doing rather than just having. The authenticity of objects, and the connections and associations they imply, is also likely to become ever more important.

5. Open versus closed

London's teenagers are likely all by themselves to generate and organise far more data than London's public authorities will over the next ten years. As the power of open source collaboration stretches beyond software, as the masses rush to share updates, pictures, and video of what they're doing and what they think, we're going to hit some nasty issues. These might be about security, privacy, lifestyle, even thought. But a lot of them will be about people defending existing approaches, who seek to undermine and discredit those who believe that by sharing ideas, knowledge and resources, we can create more wealth and better cities. Watch this space.

Joe and I would love to talk to people who have views on any of this. Bounce us a note, leave a comment, or please share this with others who may be interested. If you're in London, drop by and we'll film your comments. Or if you want to write a nice guest blog, we'll post it.

Mark Charmer is a researcher at The Movement Design Bureau. He's also a co-founder of Akvo.

There's a New Daddy in the Luxury Motor Market

The new Jaguar XJ, Saatchi gallery, Chelsea, London - July 10th 2009

Sticking with our Callum brothers theme today, Jaguar chose Chelsea in central London as the place to launch its new XJ last week. This big cat is what Jaguar's design boss Ian Callum calls a return to the values of Jaguar during the William Lyons era - to "produce the most exciting cars in the world". Callum, impressive and passionate, described the launch of this new car as a "tipping point for the Jaguar brand - one Britain should be proud of".

Tipping points are tricky to pinpoint and if I was asked what was tipping right now, I'd say it was luxury car sales - off a cliff. But Jaguar is buoyant and claims modest recent sales growth, while other makers universally tanked. 

But while the wealthy car buyer is feeling rather less flush, he or she now has something entirely new to angst about. Despite looking from assorted angles like a Maserati Quattroporte, an XF, a Lexus SC (ouch), a Citroen C6, Granada Scorpio, Hillman Avenger and a Morris Marina Coupe, the Jaguar XJ is a quite lovely thing. In a great BBC TV moment this April, writer Michael Smith's documentary "Me and My Car"  featured a scene where Smith sank into the passenger seat of a vintage Jag saloon and said "I'd like to get pissed in this car". Clearly Callum was listening. "People are gonna have a good time in a Jaguar" is his boast. I'd get pissed in the back of this car any day of the week.

The car's got some neat, really focused technology, too - without getting silly. As the great Jean Jennings said to us recently, "If it doesn't make me drive better, make it go away." All of the dash instruments on the XJ (the bit in front of the driver with the speedo, etc) are a screen, with the dials all digitally rendered. In demos it looked fantastic and it's a flexible place where info like where to turn left and what music is playing appears. It's also the place where prompts appear for the voice command features. This is infinitely preferable to putting that stuff in the centre console, as Joe and I had to endure recently in the nervous-breakdown-inducing Ford Sync system.

There's other cool stuff, too. A huge 'dual angle' video screen in the centre dash which can display two different images at the same time, with each appearing clearly to driver and passenger. Which is, well, just so much fun.

The body is aluminium, so is as light as its smaller, steel sister, the XF. The 3.0 V6 diesel is claimed to do more than 40 miles per gallon, gets to 60 mph in 6 seconds and emits 184 grams of CO2. Which is pretty impressive.

Jag has also focused on making the hi-fi sound really good. While recognising you will probably bring your iPod along. But it has a hard disc that rips CDs uncompressed and has a Gracenote database.

But back to those looks, which have thrown the cat amongst the pigeons. Although Jaguar has been saying for months that the new XJ was radical, no one was totally prepared for this long, fast-back look, complete with blacked-out D pillar and a rear end that marks a complete departure for Jaguar design.

Never before has an aspect of a Jaguar's design caused so much kerfuffle...

There's an old adage which says never judge a car's design purely from photos; wait until you've seen it in the flesh, and even then - make sure you see it moving, on the road, and in traffic before you make a true call on the design. This is truly a design to which this applies. I sat at the launch breakfast on Friday morning riveted to the thing rotating in front of me, trying to decide whether it was beautiful. I've concluded that the XJ is quite a looker - with much less of the heavy, lumpiness around the rear three quarters than seems in the photos and with a rear haunch that does, as Callum claims, make it very coupe-like. 

If you, too, fancy staring open mouthed at the thing revolving, you can watch this video I took. And below is a (car-nerd-level) outline by design director Ian Callum talking us through the design.

And if you still haven't made your mind up about whether that rump works or not, check out some of our detailed shots in this photoset (click anywhere on the photos to link through to the original flickr set):

Mark Charmer is a founder of The Movement Design Bureau, a think tank.